My images sometimes seem done. Then I open them again a few days later and finish them. I have even unframed them to reprint with changes, that is until they are sold. Then they are done.
Postcards from Rising Sun
15 years ago
Wednesday, January 28, 2009
A Frog Prince Revisited
My images sometimes seem done. Then I open them again a few days later and finish them. I have even unframed them to reprint with changes, that is until they are sold. Then they are done.
Saturday, January 24, 2009
The Frog Prince
.........The frog prince returns the princesses precious gold ball in return for a promise of her affection. Digital art created in Photoshop and Illustrator.
©2009 Gae White
Wednesday, April 30, 2008
Experiments in PhotoShop - Why digital art?
Why digital art?
I had been an artist at one time - oils, acrylics, watercolor, pastels, etc. I was doing some graphic design - PhotoShop and Illustrator. Then a friend force fed me 6 weeks of in depth studies of some great fine art. I was color correcting for a fine art print shop. With every piece I would think to myself, "I know I can still do this."
Well, art is not like riding a bicycle. I had not lost an eye for color or composition. I was exposed to that daily on the job. Unlike a few folks reentering the art world after a long hiatus I could still draw, but painting was a frustrating mess. Classes were going to be a necessity to bring back that skill. In the mean time, I have a medium I know and love - PhotoShop! So lets see what PhotoShop can do.
I began creating abstracts, playing with the transform, distortion and effects to make textures and shapes. It did not take long to learn that compounding these techniques created more depth and texture. I do not use the artistic filters, they do not do what they are labeled. I rarely use the brushes like paint - too tedious. I prefer to create textures that can be shaped, cutout or twisted into something. I make extensive use of features that fill the canvas - render clouds, gradients, pieces of my own photography. I pile distortion features on top of each other in a flurry of image altering layers until an image forms that speaks to me. For some images all that is needed at this point is a minor color correction to accent the form. Some are launched into dozens of tedious hours with the pen tool.
My involvement with the Southeastern Indiana Art Guild has exposed me to some great art in a variety of mediums. It became a challenge to see PhotoShop used to develop more representational images. Florals and animal images evolved fueled by the Guilds inspiration and my constant exposure to nature, always living near the woods.
I had been an artist at one time - oils, acrylics, watercolor, pastels, etc. I was doing some graphic design - PhotoShop and Illustrator. Then a friend force fed me 6 weeks of in depth studies of some great fine art. I was color correcting for a fine art print shop. With every piece I would think to myself, "I know I can still do this."
Well, art is not like riding a bicycle. I had not lost an eye for color or composition. I was exposed to that daily on the job. Unlike a few folks reentering the art world after a long hiatus I could still draw, but painting was a frustrating mess. Classes were going to be a necessity to bring back that skill. In the mean time, I have a medium I know and love - PhotoShop! So lets see what PhotoShop can do.
I began creating abstracts, playing with the transform, distortion and effects to make textures and shapes. It did not take long to learn that compounding these techniques created more depth and texture. I do not use the artistic filters, they do not do what they are labeled. I rarely use the brushes like paint - too tedious. I prefer to create textures that can be shaped, cutout or twisted into something. I make extensive use of features that fill the canvas - render clouds, gradients, pieces of my own photography. I pile distortion features on top of each other in a flurry of image altering layers until an image forms that speaks to me. For some images all that is needed at this point is a minor color correction to accent the form. Some are launched into dozens of tedious hours with the pen tool.
My involvement with the Southeastern Indiana Art Guild has exposed me to some great art in a variety of mediums. It became a challenge to see PhotoShop used to develop more representational images. Florals and animal images evolved fueled by the Guilds inspiration and my constant exposure to nature, always living near the woods.
Monday, April 28, 2008
Pendleton Art Gallery - Newport on the Levee
The Pendleton Art Gallery at Newport on the Levee is a gallery that features artwork exclusively from Pendleton Art Center artists. Over 300 artists from the Pendleton Studios in Ashland, Kentucky; Cincinnati, Ohio; and Rising Sun, Indiana are represented in this unique venue.
I am now showing these 7 images at this gallery. Great Sycamore was inspired by the trees lining the small creek near my home.
Thrill Ride is an experiment in color and texture.
Awakening was one of my first digital abstracts.
See What I See a cat's eye view of the world. - SAIG Fall Show 2006 library purchase award.
Realm of Angels is a composite of 5 photographs superimposed over a digital abstract image.
Lavendar Explosion was created as a companion piece to Splash which is currently showing in SAIG's Spring Show in Aurora IN
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